Thursday, May 20, 2010
Friday, May 14, 2010
race
I got this email from Will Bates he has to do with 350??? (sorry if i am wrong) well there is this race going on for the oil spill . I dont really know how to explain this and i thnk its for collage students well the races teams are. but please cheack this site out. www.greatpowerrace.org It will provide any questions
Thursday, May 6, 2010
Claire's Orenco Station Conference Outing Summary 05.06.10
Tuesday, April 20, 2010
Wow......
Architecture in Dubai
I couldn't find the exact date of my other article so I decided I would just show different architecture in Dubai.
-Kaia
More Wow Buildings
Saturday, April 17, 2010
BikePortland.org
http://bikeportland.org/
-Abigail
Tuesday, April 13, 2010
Buildings That Might Defy Your World of Architecture
Wednesday, April 7, 2010
Claire's Conference Outing: the Mt. Tabor Area Field Study Summary—in English
World Architecture Website
Science Fiction Books
Thursday, March 18, 2010
good books
Monday, March 15, 2010
Sunday, March 14, 2010
another intresting fact
-Sadie
Thursday, March 11, 2010
snow in the mediterranean
http://news.bbc.co.uk/2/hi/europe/8557570.stm
Wednesday, March 10, 2010
FS summary
On Tuesday we went to a blacksmith’s shop. It was very cool and enlightening to see how real iron work is made. I personally thought that it was interesting to see how difficult and long it takes to make a piece of art. The most interesting thing was how patient you have to be and how strong and skilled you must be to do that crafts work. When I stepped up to swing the hammer it was heavy and you really had to have good aim to hit the small piece of metal. I definitely won’t forget this time going to a blacksmiths shop and I hope no one else will too.
-Rowan
-Lisa
Claire's Altility Art Studios Field Study Reflection
1. After taking a nice tour of multiple Trimet bus routes, we arrived at Altility Art Studio on Mississippi (near the waffle place that sent enticing aromas over to the studio, teasing my tummy). We were welcomed by Wiley, a black, wolf-y, amber-eyed, white speckle footed dog. Aaron then introduced himself and his friend Zach. He showed us the project he his currently working on for an art series in Cannon Beach. The “canvas” was an approximately seven foot tall rock with a circumference of three feet and a shape that reminded me of the pinky finger sized crystal I got at a place I remember sold yoga movies and smelled of incense when I was four-ish years old: a rough thin main length tapering at the end, like the way my dad slices baguettes when we have guests over. The rock looked like it might be about to go rock climbing; it was harnessed and rigged so it would stand up straight, pointing to the ceiling. It looked heavy—I cannot make weight estimates but it was probably heavy enough to kill you if it fell on top of you. Winding around the rock to the top and back down were metal salmon. Aaron said he was collaborating with a Native American woman who was going to be adding carvings of the salmon life cycle to the rock. I think the end product will be riveting.
After surveying Aaron’s current project he showed us how we would make three hooks. First he heated a kiln to 2100 degrees Fahrenheit. He then balanced three two-foot long iron rods with an inch circumference inside the kiln. While waiting for the kiln to heat the rods, he explained most blacksmiths make their own tools and showed us the tools he made, describing that the circular ended hammer evenly spread heated iron when pounded and the narrow, rectangular ended hammer spread heated iron in the direction the pressure was applied. Aaron also showed us a three-foot long anvil and how pounding iron on different planes of the anvil resulted in different shapes. Once the iron rods were heated to a glowing yellow-orange much like the color of the sun when it seems to sink into the ocean at sunset or a farm-fresh egg yolk being lit from the inside by a 400 watt light bulb (using my imagination hear, wouldn’t suggest experimenting), students took turns pounding the rods with the different hammers (don’t worry parents, we wore gloves and safety goggles). I thought it was grueling and fatiguing work to pound the rod, especially because there is only a few minutes the rod can be beat into shapes before it cools too much. After each student pounded the rods Aaron and Zach fashioned the rods into hooks, the kind you might mount onto a kitchen wall and hang a tea towel from (although they looked strong and tough enough to hold a fifty pound tool belt in a dark basement). The whole process took about two hours, with the pounding and reheating repetitions. The final result was a square hook, a hook with the tea towel holding part curling inward, and a hook with the top back part curling inward as well as the tea towel holding part. The experience was interesting and I had a fresh respect for Aaron’s work after I tried it myself, especially after flipping through his binder of other projects he has done, much more complicated looking then our simple hooks.
Our class was ravenous after our laborious blacksmithing and the majority of the class snacked as we wait for the bus—bus #1. We took another tour of a handful of Trimet bus routes on our way back to SES, gobbling food whenever possible. Arriving back at SES around later-then-expected, we collapsed exhaustedly into our chairs, guzzling any leftover food. The life of blacksmithing. Ah…
2. The Steps of Blacksmithing: To shape iron, it must be heated to at least 1650 degrees Fahrenheit. When struck repeatedly, iron will become brittle and crack, so it must be heated and cooled, heated and cooled many times. This process is called annealing. Fire, water, earth, and air is used in blacksmithing: ore from the earth, fire to heat the metal, air to increase the heat of the fire, and water to harden the metal. An anvil is used to shape heated metal. Almost any iron can be used. Hammers are an important tool used to shape metal in the blacksmithing process. The striking surface of a hammer causes the heated metal to spread in different directions. The blacksmithing process is a long one, and requires patience (something I have learned personally by trying blacksmithing).
3. (My object is a teacup.) Making a teacup using the blacksmithing process would take a long time. I imagine it would take hundreds of repetitions of heating and cooling a piece of metal to form a cup—with a handle. Today, there are efficient machines that construct teacups but I have made teacups from clay before and know it is a slow process. Making a teacup from clay is not a quick project, because one must be careful to construct the cup with no holes or cracks or else a tea-drinker will not be especially pleased when their scorching tea leaks onto their fingers. Having the opportunity to try blacksmithing made me think more about the time and process it takes to make a seemingly simple object.


Wednesday, March 3, 2010
Spring Garden Day
(teacher inservice day)
9am - Noon
Come on out and help get the school ready for Spring! We will be:
- putting in some new plants
- building a patio out in front of the school
- cleaning-up around the grounds
Questions? email: sunnysidesustainability@gmail.com
Friday, February 26, 2010
Wonderments
This complicated web allows plants, animals and fungi to live together. How did we figure all this out? It started with a question and a dedication and passion to find an answer. Having a magnifying glass and a microscope also allowed us to be able to see all those tiny processes unfolding.
Let's look at the other side of things: something massive. How about the axial tilt of the Earth? The fact that the Earth rotates on a 23.5 degree tilt causes all sorts of interesting things to happen. As the Earth moves through its orbit around the sun the Northern and Southern hemispheres face the sun at different extremes.
For those of us lucky enough to live North or South of the equator, we have seasons. The further we are away from the equator, the more change we see between summer and winter.
Isn't this stuff amazing?
As we live our life we are somewhere in the middle of the minuscule and the massive. We don't need to be experts to understand these things, either.
-This post was copied from an email sent to me by the Wilderness Awareness School. Last summer, I spent a week at this school deepening my understanding of nature...
Thursday, February 25, 2010
Claire's Summary of Terry Winters—Linking Graphics, Prints 2000-2010 (Cooley Gallery at Reed College)
I thought the exhibit was interesting because Terry Winters uses math and science in his art, unlike other artists. Everyone saw different objects and meanings in Terry Winters prints, whereas the nude art from hundreds of years ago that we saw at the Cooley Gallery is recognizable to people and the meaning is clear (if you know things like Greek mythology like Gregory did). I liked watching people from our class look at a piece and move on, but then take another glance and come back to it to scrutinize a color almost completely hidden under other layers of the print or contemplate the meaning of the print after hearing someone else say, “I see a water slide!” or “Look! It’s a irrigated farm through a wet camera lens!” I think this exhibit was more engaging to everyone in our class because the art was like a series of puzzles. People were drawn to a piece because of what they thought they sawvbut when the student next to them said, “No, look it’s a (blank),” they continued to examine the piece instead of moving on through the gallery.
I liked “Process Color.” What drew me to this one is the vivid colors that seemed like if the print was on a block of paper pulp that was five hundred feet tall the color would still continue to the bottom. The knots that so often occurred in Terry Winter’s art and were plentiful in this piece reminded me of a garden of cabbage roses growing abundantly on the prints. The effect the colors had, some lying on top of each other, others blending together in a fresh wash, topped with delicate prints, seemed Japanese to me. The aspects I liked best were under curving black lines and the whole print was stamped with a star-like shape. As a result, I thought the colors and roses looked far away.
The set of prints called “Intervals” also drew me in. These prints were not as busy to my eye. I liked the simplicity of the white embossments that the looked like the fast revolving toys at OMSI set on crisp, clear November afternoon, sky blue paper. I also like how they were “classified” by the identification section at the bottom of the paper. (This leads me to think the “fast revolving OMSI toys” are a concept of science.) As a set of six, the pieces felt right to me. They had order by identification (an idea I liked included in art) and a feeling of calm, perhaps from the simpleness of white on blue after the surrounding frenzies of black lines.
Terry Winters attempts to capture science and mathematics in his art by having prints of things that look vaguely familiar from spending time in a science lab and numbers and patterns strung throughout his prints. I think Terry Winter’s style is interesting to look at and definitely amazing. So much experimental work went into each piece, from transferring an idea onto paper through a printing method. I wonder if the final prints of pieces are ever exactly how Terry Winters first imagined them. His style overall is around the neutral to me, on a scale of hate-love. I certainly enjoyed looking at his art but I didn’t think, “This unbelievably outrageous,” or “I could have this framed on my bedroom,” or “I want to see everything his has ever made.”
In the natural world, I believe there is an indirect joining of science, mathematics, and art. Science and mathematics make up the natural world, explain why, name how. Today, global warming equals science. Plant coloration is often constructed of patterns, like pineapples, cabbage, irises, lettuce, and shells have Fibonacci pattern markings. I think many people who believe in God probably think he created art by making the world. But personally, I believe art is indirectly linked to mathematics and science in the world because so many people use the natural world and things that happen because of the natural world as inspiration for their art. I do not believe in a god, I believe in evolution, so I do not think the natural world is a man in the sky’s masterpiece. I do believe art is related to the natural world through the beauty people see and try to capture through their art.
Wednesday, February 24, 2010
Cooley Art Gallery-Terry Winters
Abigail
Thursday, February 11, 2010
Thursday, February 4, 2010
caprisun
sadie
Wednesday, February 3, 2010
Field Study Summary
Tuesday, January 26, 2010
World Forestry Center Field Study Summary
Enter…. the World Forestry Center, Portland, Oregon. First, be seated in a cushy, reclining chair to watch an eight-minute video on the basics of forests. Exit, and precede to the ground level exhibits that display information (like methods of timber harvest, animals, like the dark-eyed junco, and plants, heaviest types of wood, percentages of who owns forests in Oregon) and activities (like 100% water-free white water rafting, smoke jumping for those paranoid of heights, and finding animals in a Douglas fir) focusing on the forests of the Pacific Northwest. Walk carefully up the main set of stairs, holding onto the (Oak? Pine? Fir?) handrail. Pass over the bridge, observing the towering Douglas firs, birds and insects hidden within lush needles, and stop at the map of the world continents dotted with numbers. Read the brown, tan, blue, and red signs with information like “Canada exports twenty-two metric tons of maple syrup to over thirty countries annually” and “Bushmeat hunting in Africa threatens biodiversity of (sub-tropical) forests”. Conveniently located on the signs in an eye-catching traffic cone orange, find the number (such as “one” or “forty-three”). Next, roll your eyeballs up to the map of continents and find the identical number on the wall. That is where what you just read is located in the world! After this knowledge-boosting activity, stroll to the Russian train cars, where vermilion seats are comfortably placed in front of kitchenette-like tables, perfect for viewing the videos playing on the wall of the train. Feel free to roam to whatever looks intriguing, perhaps getting a picture taken while riding the rapids, or operating a timber harvest. Thank you for joining us today, and hopefully horizon expanding tidbits were learned of the forest of Planet Earth.
My favorite exhibit was the map of continents with the informational signs and Challenges of Forests signs. The Challenges of Forests started me thinking about how income and population relate with fuelwood consumption and damaged forest. I learned several communities in Tanzania, Africa are replanting forests, rehabilitating springs and repairing forest roads, some with the help of Roots and Shoots (an organization I remember Jane Goodall talking about that helps people in Africa restore their land and resources). I also observed that the higher the income per person, the more industrial wood is used by the continent, and the lower the income per person, the more fuelwood is utilized. I enjoyed our field study to the World Forestry Center and appreciated the information and activities presented.
-Claire
Wednesday, January 20, 2010
Our Laurelhurst park field study
People told us that it was easiest to do it this way: Make an estimate of how tall the tree is. Then walk about that far away, bend over and try and find a spot were the tip of the tree is just barely visible between your legs. Then measure the distance from you and the tree trunk. That is about the height of the tree.
-Travis
Field Study To Laurelhurst.
Yesterday we went to Laurelhurst park in the afternoon, when we got to the park we had to measure out an acre using a measuring tape that was a hundred feet long and a meter stick. My group didn’t use the meter stick but we still were able to measure the acre, which was 43,560 feet squared. After we finished doing that we had to do some math problems about us plants trees in an acre. Which was fun but hard at first then we had to learn how to measure the height of a tree using a measuring tape, a meter stick, and a square sheet. After we all measured the same tree we started to head back to school I really had fun on yesterdays field study.
-Haven Brice
Tuesday, January 19, 2010
Laurelhurst Tree Math Field Study Summary

Monday, January 18, 2010
Kaia's Make-up assignment.
1.
A. In this sculpture, the Horse is just standing, but it almost looks like it is watching it's back to make sure nothing is there.
B. It looks like the artist used clay.
C. horses used to run wild and some still do. But most are used on a farm to plow the land or some people just have them on a horse ranch for their pleasure.
D. People say that the horse is a symbol of speed and strength.
2.
A. 1.Society not accepting a person and causing poverty. 2. Not having access to resources. 3. Not having enough financial support can cause poverty.
D.In Afghanistan, causes of poverty are: War, Deforestation, Not enough access to resources. But, even though they are a very poor country, they have lots of hope.
In Niger, causes of poverty are mostly caused by global warming. Droughts, Insect infestation.
E. Climate change is causing most of the struggles in Niger.
F. In my opinion, i might be thinking about this wrong, but humans are animals.
G. Afghanistan and Niger are working together to solve these problems, even if they don't have all the resources to support their families, they are working in a big community
Wednesday, January 13, 2010
Portland Art Museum
field study 1-12-10
Field Study
- Sadie Art museum